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转自:http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub “The end of paradise on earth.”—Jean-Marie Straub The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne. “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty. In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD. So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone. During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema. The mise en scène of what words exactly? The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye. Is “Straubie” Greece? This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
吴京,章子怡,徐峥,沈腾,吴磊,黄轩,韩昊霖,洪烈,张天爱,袁近辉,宋佳,马丽,李光洁,陈道明,张艺谋,李雪健,余皑磊,海清,欧豪,艾伦,魏晨,白那日苏,江水,逯长恩,张恒瑞,阿楠,任思诺,彭昱畅,李乃文,耿乐,杜江,陶虹,贾冰,张雨绮,焦圣祥,倪虹洁,樊雨洁,张建亚,张芝华,张国强,宁理,胡可,沙溢,马书良,曹可凡,万茜,祖峰,周庆昀,辣目洋子,常远,张小斐,吴昱翰
黄钟,杨威,鲁速,史可夫
乔基·亨莉,斯堪德·凯恩斯,安娜·帕波维尔
林更新,张静初,刘晓庆,锦荣
卡米莉·拉瑟福德,肖恩·比格斯代夫,阿奈林·巴纳德,爱德华·霍格,麦赫迪·德比,托尼·库兰
德尼·波达利德斯,科琳娜·马谢罗,布朗什·加丁
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